erskine-hall-coe-gallery exhibition

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Gustavo Pérez
An essay by David Miles

Sitting at my desk I have a restricted outside view; just a wall of London stock bricks, which nevertheless, has endless subtlety of tone. Closer to hand, on an adjacent shelf, is a miniature landscape of pots: bowls by Lucie Rie and Jennifer Lee, a twisted form by Shozo Michikawa and a vessel by Gustavo Pérez. These pots from three continents are good companions.